#2 - Leon Vynehall Music for the Uninvited Dance music manifests largely as singles for a number of reasons: they are inexpensive enough to justify bulking the crate, single-track sides are easier to dj, and in an ever-shifting scene, artists can release music more quickly. Any single becomes its own release; there is no context or theme to try and fit or track-lists to narrow down. This is why Dance artists notoriously struggle with longer formats, not to mention the difficulty tying together an entire LP of singular-vision Dance without getting boring. Leon Vynehall’s Music for the Uninvited managed to do all of these things and more. Its individual tracks work as dj material, but it’s also a great listen by itself. There’s a sepia-haze coating the tracks, which are bound together like the stitch-film whose sampled unwinding starts off the album. Vynehall sounds loose and unconcerned with making everything a big, heavy four-by-four like many of his singles. The pacing is on point and the track constructions are logical without being predictable. So that’s what it is: It’s just natural, like Vynehall actually had a vision for this LP before he started. Like it had already existed and was just waiting to get pulled out of the ether. https://youtube/watch?v=ZP7oy6O7hrU
Posted on: Fri, 19 Dec 2014 22:58:44 +0000
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