. FROM MONET TO PICASSO I would like to (describe) talk about some Impressionisi Masterpieces from the Pushkin Museum in Moscow, are one hundred works that provide a concise summary of the revolution and the French art between 1870 and the First War Mondiale.Capolavori of French painting of the period. How can they be placed so important and recent works in museums , as is well known , nor were never at the forefront of choices nor likely to accept Western art bourgeois or arranged for funds in hard currency , nor the Soviet period particularly cared for and valued. Descitti here are some masterpieces from two large private collections formed at the beginning of the century, dispossessed and past , with the revolution in the Soviet state property . Two major collectors Sciukin Moscow Sergei and Ivan Morozov had the intuition to gather in Czarist Russia works quite extraordinary that are among the crucial experiments of artistic trends at the base of modern art. These two honored collectors, with their works were fundamental to the evolution of twentieth-century Russian culture , : i am fain painters descendants there formed their taste and maturararono their innovation by traditional criteria , the nineteenth century , who were still dominant at the beginning of century influences and primitivistic Faures , from dancers and those antinaturalistic . Here are some paintings that give an idea of the extraordinary beauty of the works. The ipimti reported here , like those of Renoir, vibrant brushstrokes of light and brilliant portrait of Van Gogh bought from Sciukin , and even a Degas painting by thin passages , two magnificent and monumental cubist Picasso , a mysterious landscape of the Customs Officer Rousseau isolated garde genius alternative Parisian friend of Apollinaire and Picasso. Van Gogh : 1889 Portrait of Dr. Felix Rey, So am I from the eyes of most people ? .... A nullity , an eccentric man or unpleasant ? Well even if that were true , I would always that my works would show whats in my heart that no one eccentric , oil on canvas Claude Monet : Lilacs in the Sun 1873 , oil on canvas Claude Monet : 1894 The Rouen Cathedral at sunset , oil on canvas Clade Monet : Water Lilies 1899 white In these Monet painting come to completely replace the optical impression that psychological , oil on canvas Pierre Bonnard : 1912 Summer in Normandy , 1912, oil on canvas Marice Denis : 1909 Green beach , Perros -Guirec Edouaed Vaillard :1893 - 1898 In the garden , Vaillard uses the very nuance that provide sense of rhythm , the colors used are preferably ocher , reds , blue and saffron , tempera on cardboard Paul Cezanne :1885 - 1887 Chestnut trees and farm las de Bouffan , Cezanne impressionism knew he could and had to be born a new classicism , m pù school founded on the imitation of the ancients , but resolved to stop a new , concrete imagination of the world : and that this , however, was no longer to be sought in realia outside, but in the consciousness , (...) , so Cezanne can never do without the visual sensation ( what he called petit no sensation ) , will not pose ever the slightest touch on the canvas if it ever arise in the presence of true and never will be proposed to abstract , but always and only to realize, oil on canvas
Posted on: Tue, 08 Apr 2014 11:29:15 +0000
Trending Topics
Recently Viewed Topics
© 2015