A study catalog of the Museum of Contemporary Art of Serbian sculptures in 1900. until the 1950s. The first Serbian sculptor Vuk Velimirovich not even mentioned. Simple - no! But accidentally discovered volumes, now owned by Nicholas Mandarića, with excerpts mainly from the French press, and photographs of her sculptures partially fills this gap. That still is not the material in chronological precious tidy, dates to the clippings are often lacking, often there is no name of the author of the text, critics called the newspaper ... it appears to be, when the sculptor isecala what would later attach the workbook, is this relevant material paid special attention. Logical. She was asked and she had her hands full. It belonged to the cream of Parisian high society. This is most easily read by the portraits that worked. In her notebook found the famous baritone Mateasta Batistinija with which to climb on the cover of the European press, and industrialists among them George Weifert, diplomats, European royalty, writers, politicians ... In his homeland this popovska daughter of Montenegrin origin, was born in Pirot - not even during the slave, between the two world wars, was recognized. Specifically - the capital of the Kingdom of Yugoslavia, her work appreciated the only family Veljkovic, thanks to which she did four allegorical sculptures and facade decoration for their Vračarska cooperative. Veljkovići are already built in the backyard of his family home Museo-pavilion which was guarded by five casts of Michelangelos sculptures and some ancient masterpieces. How Belgrade in the fourth decade of the last century was reluctant to testify sculpture and a parody of the famous poet Rade Drainca on account of that collection. Drainac making fun of the famous archaeologist Dr. Miloja Vasic highly valued collection Veljkovića and asks why finally the expert does not mention something about the sculptures Vuka Velimirovich? Part outgrown environment from which it comes from, it may not have a computer with Serbia as pitch their affirmations, but Paris has always exhibited with his countrymen as Serbian and jugoslevenski sculptor. Monumentality of the Winter Salon held at the Grand Palais in 1930. Parisian criticism highlights significant expressive power Vuka Velimirovich, her ability to rein in large masses, and masculine strength moves and affection towards the monumental. These flattering reviews, which can be found in the volumes of the slices Vukina frncuskom, local public transfers Privacy in the text, signed with An. Gođevac. In a Parisian gallery will be in 1937. exhibit 20 Yugoslav artists audience reveal beautiful features country songs and the sun. And, their actions are imposed great technique, enthusiasm and vigor of youth, and besides, the mighty statue and purity of form Vuka Velimirovich critic points out a picture of your Pomorišac, Pedja Milosavljevic and Ljubica Sokić. However, even with these exhibitions, Vuka is not with them comrades, nor did they ever mention in their memories. Education Minister Jean Zey, then touring exhibition seeks to meet with Velimirovic. Its your career and artistic path began independently, and is joined by fellow occasionally as already affirmed and celebrated artist. Yet, the Kingdom is never included in its official representation. Wolf and earlier - in 1932. at the George the Fifth has joined the Yugoslav artists. Gustave Kahn in Kotidjenu says the exhibition is doubly interesting - young Yugoslav artists have severed ties with Munich, Vienna and Venice and shows significant artistic enthusiasm of a nation, Yugoslav nation has undeniable artistic gift that is found in the magnificent epic poetry, wistful melodies , connection and costumes that express a refined taste and astonishing sense of color! Kahn notes that the artistic features are in full swing in the works of Yugoslav artists who, although they suffered the impacts of different schools - do not lose the originality and sensibilities region from which it is derived . And, for Vuk Velimirovich notes that the sculptor and philosopher who can express their ideas. As the author of the article Contemporary artists notes in 1930. Vuka Velimirovich is since exhibited in Paris made himself the name, has taken a significant place in contemporary sculpture. Show its width. Her remarkable sculptures testify about her amazing gift and particular expression ... . Allowed ENIGMA SVESKA reveals what until recently was an enigma. In fact, the letters Uros Predic Wuxi, which has purchased Pancevo archive, we find that the sculptor was obsessed with the idea to sculpt a series of sculptures large and important women in Serbian history, and her old painter cheered and encouraged to engage in this significant achievement . Mystery was partially solved in the notebook are photos of her bust of Helen of Anjou, Jerina, Mother Jugovića. (On Wednesday: Mens Hand fatal beauty)
Posted on: Wed, 05 Mar 2014 13:01:27 +0000
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