‘According to our mission, it was important that we impress as friendly gods in the eyes of the colonisers so that war could be avoided, something which they abhorred on account of their advancement, their beliefs and their religion. ‘It is because of our frequent visits, during this period, that there are so many legends on Earth, describing ‘giants’ and ‘chariots of fire’ from the heavens. ‘We were great friends with the inhabitants of Mu and my astral entity at the time, existed in a body quite similar to the one I’m ‘wearing’ now. ‘Artists and sculptors gave us much consideration. They consulted the King of Mu and, with his consent, worked to immortalise us. The immense statues at Holaton1 (Easter Island) are examples of such work. They were, for the civilisation of the time, the ultimate of great art - being in size and shape, what you would describe as ‘stylised’. ‘This is how a statue of me came to be sculpted. It was finished and ready to be transported on one of the enormous platforms that serviced the length and breadth of the country, terminating always in Savanasa. The Master of the time erected these statues either in the King’s gardens or along the path that led to the pyramid. Unfortunately, when the statue representing me, along with several others, was about to be transported, a cataclysm occurred which destroyed the continent of Mu. ‘However, Holaton was partially spared. When I say ‘partially’, you must realise that the quarries had been ten times as extensive as the vestiges that remain today. The part that wasn’t swallowed up in the cataclysm was the area where my statue stood. ‘My stylised image is thus preserved on Easter Island. ~ Thao (Thiaoouba Prophesy, p. 94-95) thiaoouba/mic.htm
Posted on: Mon, 30 Jun 2014 06:34:44 +0000
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