Among the sites associated with New Orleans voodoo is the tomb of its greatest figure, Marie Laveau. For several decades this “voodoo queen” held New Orleans spellbound-figuratively, of course, but some would say literally, as legends of her occult powers continue to captivate. She staged ceremonies in which participants became possessed by loas (voodoo spirits) and danced naked around bonfires; she dispensed charms and potions called gris-gris, even saving several condemned men from the gallows; and she told fortunes, healed the sick, and herself remained perpetually youthful while living for more than a century-or so it is said (Hauck 1996; Tallant 1946). Marie Laveau A “free person of color,” Marie Laveau was the illegitimate daughter of a rich Creole plantation owner, Charles Laveaux, and his mistress Marguerite (who was reportedly half black, half Indian). Marie was probably born about 1794. At the age of twenty-five she married a carpenter named Jacques Paris, also a free person of color, who soon went missing and was presumed dead. Following the custom of the time, she began calling herself the “Widow Paris.” Soon, she entered a common-law marriage with one Christophe de Glapion with whom she would have fifteen children, but as late as 1850 a newspaper still referred to her as “Marie Laveaux, otherwise Widow Paris” (Tallant 1946, 67). The Widow Paris learned her craft from a “voodoo doctor” known variously as Doctor John, John Bayou, and other appellations, and by 1830 she was one of several New Orleans voodoo queens. She soon came to dominance, taking charge of the rituals held at Congo Square and selling gris-gris throughout the social strata. Marie worked as a hairdresser, which took her into the homes of the affluent, and she reportedly developed a network of informants. According to Tallant (1946, 64), “No event in any household in New Orleans was a secret from Marie Laveau.” She parlayed her knowledge into a position of considerable influence, as she told fortunes, gave advice on love, and prepared custom gris-gris for anyone needing to effect a cure, charm, or hex. If she did not actually save anyone from a sentence of death, she allowed such stories to flourish. “The Widow Paris thrived on publicity,” observes Tallant (1946, 58). “Legend after legend spread about her and she seems to have enjoyed them all.” The legend of her perpetual youth is easily explained: She had a look-alike daughter, Marie Laveau II, who followed in her footsteps. About 1875 the original Marie, bereft of her youth and memory, became confined to her home on Rue St. Ann and did not leave until claimed by death some six years later. “It was then,” reports Tallant (1946, 73), “that the strangest part of the entire Laveau mystery became most noticeable. For Marie Laveau still walked the streets of New Orleans, a new Marie Laveau, who also lived in the St. Ann Street Cottage.” (For more biographical and critical information on Marie Laveau, see ”Voodoo in New Orleans” in an earlier Skeptical Inquirer [Nickell 2001].) The Wishing Tomb Controversy persists over where Marie Laveau and her namesake daughter are buried. Some say the latter reposes in the cemetery called St. Louis No. 2 (Hauck 1996) in a “Marie Laveau Tomb” there. However, that crypt most likely contains the remains of another voodoo queen named Marie, Marie Comtesse. Numerous sites in as many cemeteries are said to be the final resting place of one or the other Marie Laveau (Tallant 1946, 129), but the prima facie evidence favors the Laveau-Glapion tomb in St. Louis No. 1 (figure 1). It comprises three stacked crypts with a “receiving vault” below (that is, a repository of the remains of those displaced by a new burial). A contemporary of Marie II told Tallant (1946, 126) that he had been present when she died of a heart attack at a ball in 1897, and insisted: “All them other stories aint true. She was buried in the Basin Street graveyard they call St. Louis No. I, and she was put in the same tomb with her mother and the rest of her family.” That tomb’s carved inscription records the name, date of death, and age (62) of Marie II: “Marie Philome Glapion, décédé le 11 Juin 1897, ágée de Soixante-deux ans.” A bronze tablet affixed to the tomb announces, under the heading “Marie Laveau,” that “This Greek Revival Tomb Is Reputed Burial Place of This Notorious ‘Voodoo Queen’ . . . ,” presumably a reference to the original Marie (see figure 2). Corroborative evidence that she was interred here is found in her obituary (Death” 1881) which notes that “Marie Laveau was buried in her family tomb in St. Louis Cemetery No. 1.” Guiley (2000) asserts that, while Marie Laveau I is reportedly buried here, “The vault does not bear her name.” However, I was struck by the fact that the initial two lines of the inscription on the Laveau-Glapion tomb read, “Famille Vve. Paris / née Laveau.” Obviously, “Vve.” is an abbreviation for Veuve, “Widow; therefore the phrase translates, “Family of the Widow Paris, born Laveau-namely Marie Laveau I. I take this as evidence that here is indeed the “family tomb.” Robert Tallant (1946, 127) suggests: “Probably there was once an inscription marking the vault in which the first Marie was buried, but it has been changed for one marking a later burial. The bones of the Widow Paris must lie in the receiving vault below.”
Posted on: Sun, 04 Jan 2015 16:55:43 +0000
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