As I type this its 3.30 am and I just stepped out of Skogen Studio in Bergen, Norway, where Ive spent 12 hours recording an interpretation of Sias wonderful and beloved Chandelier, together with producer, mixer and engineer Matias Tellez (from the great Young Dreams). Over the last few years, Ive found that I enjoy covering widely known songs that unite the masses and myself, more so than recording versions of more obscure titles that Id rather just everybody hear in their original recordings. When youre having a go at a deeply popular song thats already part of our shared pop-cultural fabric, you are engaging in an ongoing conversation. Your contribution may or may not make much of a difference. Youre just one of several voices, several pairs of eyes. And I like that very much: those rare occacions when my very particular musical needs intersect with those of the general public, and a song so omnipresent that Ill never have to download it, or even press play to hear it, is actually a welcome repeated listen. Chandelier is a song like that. Its probably the most famous song of many, many great ones youll find on my 2014 playlist ( open.spotify/user/sondre_lerc…oN5kODIgOiS3ssKk ). It was the only one on there that I felt compelled to record. Not because the world desperately needs yet another take on Chandelier. But I was curious what might happen if a male singer sang those words of desperation and self-analysis, instead of passing judgement on a troubled party girl. As overtly sensitive and desperately earnest as the male singer/songwriter has gotten in our time, it still seems unusual for a man to expose vulnerabilities in the way that Sia does in her song. But theres no reason to assume party boys arent self-medicating as much as any party girl. Heres my fifth annual Christmas present for my trusted fans, followers and beyond. Thanks for one helluva year, and for listening. Please enjoy, SL
Posted on: Wed, 24 Dec 2014 12:06:26 +0000
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