BEHIND THE SCENES ELYSIUM With a production budget of $115 million, production began in July 2011. The films Earth-bound scenes were shot in a dump in the poor Iztapalapa district on the outskirts of Mexico City, while the scenes for Elysium were shot in Vancouver and the wealthy Huixquilucan-Interlomas suburbs of Mexico City. Matt Damon shaved his head for the role of Max. The main role was first offered to Watkin Tudor Jones (aka Ninja), a South African rapper, who despite being a fan of District 9 (he has a D9 tattoo on his inner lip) did not take the role. The role was then offered to rapper Eminem, but he wanted the film to be shot in Detroit. That was not an option for the two studios, so Blomkamp moved on to Damon as his next choice. Futuristic designs were executed by Philip Ivey after long periods of researching and studying older science fiction films. Ivey has continuously cited Syd Mead as a substantial influence for the film. Weta Workshop created the exosuits for Damon and Copleys characters, while the complicated visual effects were handled primarily by Image Engine (who also collaborated on District 9) with additional work by Whiskytree, MPC, The Embassy and Industrial Light and Magic. Re-shoots took place through October 2012. — with Pizzazzie Pizzie. Photo: BEHIND THE SCENES ELYSIUM With a production budget of $115 million, production began in July 2011. The films Earth-bound scenes were shot in a dump in the poor Iztapalapa district on the outskirts of Mexico City, while the scenes for Elysium were shot in Vancouver and the wealthy Huixquilucan-Interlomas suburbs of Mexico City. Matt Damon shaved his head for the role of Max. The main role was first offered to Watkin Tudor Jones (aka Ninja), a South African rapper, who despite being a fan of District 9 (he has a D9 tattoo on his inner lip) did not take the role. The role was then offered to rapper Eminem, but he wanted the film to be shot in Detroit. That was not an option for the two studios, so Blomkamp moved on to Damon as his next choice. Futuristic designs were executed by Philip Ivey after long periods of researching and studying older science fiction films. Ivey has continuously cited Syd Mead as a substantial influence for the film. Weta Workshop created the exosuits for Damon and Copleys characters, while the complicated visual effects were handled primarily by Image Engine (who also collaborated on District 9) with additional work by Whiskytree, MPC, The Embassy and Industrial Light and Magic. Re-shoots took place through October 2012.
Posted on: Thu, 20 Feb 2014 11:05:08 +0000
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