Between the idyllic and the real thing, the man is lost with their truths, all way is from a flight to a sleepless to find himself again. Once things happen we define them in a stable way, the usual images on an event described a situation placing figures in a scene and highlighting the message in the attitude or the difference. Ruizanglada painted many religious works where the composition keeps all the correct forms and delivers a full mink of feeling and scene, are works where they fit all pictorial qualities that enrich it and favour the good appreciation, even worship. But in this work we show today it deviates from that gift and it goes from creativity in showing one greater reality, not sweeten what is an intense vision. In this descent of Christ, the body is ramshackle corresponds to lower a weight from above, pale flesh tones speak of recent death, and that it is not yet the time of light, on the contrary, the white light escapes from a stained white canvas. Black intensities are a bath of pain and terror, and the dirty and intense colors are full of sin heavy feelings. On this occasion the painter fails to show us the cross to not distract our attention to what dead Jesus, is happening. Interestingly it is often in the most creative work where performers find the space to show us the message of the bodies that are not doing a pose. Ruizanglada - descent of Christ 146x114cm. ruizanglada.es/#!ruizanglada---descendimiento-de-cristo-1/c3zd
Posted on: Wed, 26 Nov 2014 06:34:41 +0000
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