Ceramic artist Jennifer McCurdy lives on the island of Marthas Vineyard. She has been working with porcelain for over twenty five years. For the last few years, she has been working with structural questions. How thin can the high fire porcelain be before it collapses in the fire? How much can it be cut away and still maintain structural integrity? How can the structural form be integrated with the visual, as in nature? How can the movement of the potters wheel and the fire of the kiln be reflected in the finished piece, which is rock-hard and permanent?
Posted on: Fri, 17 Jan 2014 07:47:31 +0000
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