Cinema on Nero Java tv occupy a very important place. Nero Java tv facilitate co production between different countries in the world, in addition to facilitating the work of producers, directors, screenwriters, and even actors. But lets talk about my favorite American directors. Films from American filmmakers Joel and Ethan Coen and Quentin Tarantino were able to mark their time. Supported by both the critics and the public, showing a way to make original and unheard cinema, these films are also the most consistent of a significant trend through the 1990s cinema representatives. Followed by many other filmmakers, structuring this trend, which envisages the cinema in its historicity, which I call post- Mannerist aims to revive with dynamism and uniqueness genre of film noir. Genres are indeed an essential for anyone trying to understand. Ie cinema amélicain tool. All films in this film carry with them the mark of these categories brought to a point of perfection by the classic Hollywood system. However, once this system destroyed, what genres, especially film noir, one of the most important categories of the system by the richness and ambiguity of its themes and the refined aesthetic of his style ? While some have chosen the path of academicism by simply perpetuate the tradition of mechanical way, others, such as Coen and Quentin Tarantino brothers have proposed a renewal by injecting a proposal writer. 11 should be noted here that despite his pessimistic darkness, the film black is the kind that has best survived the decline of the major studios. Movies of my corpus, Blood Simple, Fargo, The Big Lebowski, Barton Fink, Miller s Crossing and The Man Who Wasnt There Coen brothers and Reservoir Dogs, Pulp Fiction and Jackie Brown Quentin Tarantino, are invigorating illustrations. These films seem to me to be close because of their similar modeling of film noir and their common face this kind of reference characterizing the post- attitude mannerism. Well illustrated by others, the features of this trend are brought to their fullest point of observation from these filmmakers. Deforming as they re-form, these films enroll in reality at the heart of its kind for the reworking of the interior, by tensioning the film noir style and their own style and reveal their genuine desire to do revive the vitality of their contemporary proposals. Marked by a common artistic singularity, then these films feature a special playful distancing printed classical generic form and by borrowing from other popular genres. However, these distancing are not intended to exhaust the possibilities of generic black, but rather to afford a trip inside the genre, the latter becoming a unique space for reflection on America, film and art. Cinema of these authors is indeed meaning primarily by operating a memory of places, themes, characters and narrative inherent in film noir genre. So I propose this alternative hypothesis: the classic film noir, drawing on stylistic repertoire tortured and agonizing of German Expressionism, also characterized by a Mannerist attitude induced by a reaction of black filmmakers to the exhaustion of detective movies Hollywood. Mannerism is, in reality, a concept inherited from the history of art, which refers to a school of painting of the sixteenth century arrived just after the Renaissance and haunted by the question: how to create after perfection ? Gold, reviving memories of the film noir movies of the Coen brothers and Quentin Tarantino also reactivate Mannerist memory. Yet their fi 1ms beyond this first offering a stylistic mannerism renewal more distanced, more amused, content and form, creating an aesthetic and original novel about. Structured around theoretical teachings of the generative semiotics, I propose to include such diversions as characterizing a new kind of state that I call post-Mannerist. Involving a new relationship with nature images and a unique relationship to the history of cinema, this new state is also the manifestation of a reaction filmmakers an artistic crisis in the cinema in the 1990s.
Posted on: Mon, 07 Apr 2014 05:11:27 +0000
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