E houve quem dissesse que ela não daria conta dos graves....Sorry!!! NY Times: A singer trying out a role for the first time anywhere at the barnlike, high-exposure Metropolitan Opera is like a runner taking a chance on a new distance at the Olympics. And that race is the marathon when the role is a touchstone like Violetta in Verdi’s “Traviata,”… To go with the Met and its stark Willy Decker production instead is just about the bravest choice Ms. Damrau could have made. And she deserved her joyful victory dance at the end of her curtain call. …. in the increasingly intense second and third acts. There Ms. Damrau settled in, and her voice both broadened and focused, encompassing both filaments of sound and full-voiced cries in a haunting “Addio del passato.” By her final outpouring, “Gran Dio, morir sì giovine,” she was in a furious groove,…. Her ethereal, wounded “Dite alla giovane” took on a fresh poignancy: the first real defeat of a young woman used to winning. For Ms. Damrau, though, this Violetta was a daring victory. Anthony Tommasini, The New York Times – March 18, 2013 - See more at: diana-damrau/2013/04/22/la-traviata-the-metropolitan-opera/#sthash.w4ylyfCe.dpuf https://youtube/watch?v=iR93- SzQgMg&spfreload=10%20Message%3A%20JSON%20Parse%20error%3A%20Unexpected%20EOF%20(url%3A%20https%3A%2F%2Fyoutube%2Fwatch%3Fv%3DiR93-SzQgMg)
Posted on: Thu, 09 Oct 2014 22:27:35 +0000
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