Early life[edit] Anaïs Nin was born in Neuilly, France, to artistic parents. Her father, Joaquín Nin, was a Cuban pianist and composer, when he met her mother Rosa Culmell,[1] a classically trained Cuban singer of French and Danish descent.[2] Her fathers grandfather had fled France during the Revolution, going first to Saint-Domingue, then New Orleans, and finally to Cuba where he helped build that countrys first railway.[3] Nin was raised a Roman Catholic[4] and spent her childhood and early life in Europe. After her parents separated, her mother moved Anaïs and her two brothers, Thorvald Nin and Joaquin Nin-Culmell, to Barcelona, and then to New York City. According to her diaries, Volume One, 1931–1934, Nin abandoned formal schooling at the age of sixteen years and later began working as an artists model. After being in America for several years, Nin had forgotten how to speak Spanish, but retained her French and became fluent in English.[5] On March 3, 1923, in Havana, Cuba, Nin married her first husband, Hugh Parker Guiler (1898–1985), a banker and artist, later known as Ian Hugo when he became a maker of experimental films in the late 1940s. The couple moved to Paris the following year, where Guiler pursued his banking career and Nin began to pursue her interest in writing; in her diaries she also mentions having trained as a flamenco dancer in Paris in the mid-to-late 1920s. Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days.[1] She was transformed by her therapy with Otto Rank, who eventually became her lover. On her second visit to Rank, Nin reflects on her desire to be “re-born” as a woman and artist. Rank, she observes, helped her move back and forth between what she could verbalize in her journals and what remained unarticulated. She discovered the quality and depth of her feelings in the wordless transitions between what she could say and what she could not say. “As he talked, I thought of my difficulties with writing, my struggles to articulate feelings not easily expressed. Of my struggles to find a language for intuition, feeling, instincts which are, in themselves, elusive, subtle, and wordless”.[6] In the late summer of 1939, when residents from overseas were urged to leave France due to the approaching war, Nin left Paris and returned to New York City with her husband. (Guiler was, according to his own wishes, all but edited out of the diaries published during Nins lifetime; his role in her life is therefore difficult to gauge.)[7] During the war, Nin sent her books to Frances Steloff of the Gotham Book Mart in New York for safekeeping.[8]
Posted on: Tue, 25 Nov 2014 23:31:29 +0000
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