Encompassing all the best parts of films like A Beautiful Mind by Ron Howard but creating its own signature and style to the biopic genre, James Marshs gorgeous and beautifully compelling The Theory of Everything, the true story of Stephen and Jane Hawking, is a sensitive piece of filmmaking that stands as one of the finest movie efforts of the year. Starring Eddie Redmayne as Stephen and Felicity Jones as Jane, the two develop a masterful and sonorous dynamic that behaves as a naturalistic relationship that inhabits qualities of both love and sadness. Theyre a match made in heaven. Also acting as a morality tale, screenwriter Anthony McCarten puts forth intriguing questions regarding love in the shadow of someones disability. Do you really know what is asked of you when you vow to love someone in sickness and in health? What happens when disability doesnt allow you to love the way you want? Are you better off just breaking free if you have the chance? The film acts as a moving oil painting. Benoît Delhomme shoots to utter perfection. Intimate in scenes requiring the viewers undivided attention, and taking the liberty to capture the essence of the time where the innocence of love offers many possibilities. The scenes ultimately feel as if were in a dream sequence, sleeping silently as these two lives play out in our minds.
Posted on: Tue, 04 Nov 2014 08:22:33 +0000
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