I want everything in the painting to work, that is, every force, every plane, every direction to relate to every other direction in the painting – so there’s no paradiddle or blot somewhere. I feel very strongly that if a painting is going to work, it has to work before you have a chance to read it. Great Rembrandts shake you. There is a tension between unity and difference; one great wave or wind holding it all together as one. A [good] painting concentrates the experience of being. - Frank Auerbach
Posted on: Fri, 31 Oct 2014 22:50:55 +0000
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