It is the tunnel vision, the burrowing into specific obsessions, of In Passings individual filmmakers, combined with the broad scope of the collaborative form, that constitute the films unique allure. --John A. Riley, Bright Lights Film Journal Read the full review HERE The film is neither a fully experimental work, nor a movie fixated on classic narrative; rather, In Passing explores the passing of time and the relation of time to cinematic space. Often focusing on intimate yet small details – the table top exploration of a crustacean, the patter of rain on a window, cats at play, the ocean shot from a moving car, a couple looking into a camera knowing that the film they are making will fail – and finding something lyrically poignant and even personal within these transient moments. There are scenes in which people seem to vanish, no longer seen on screen, yet the space they once occupied still resonates with their echoes, moving through the poetic sublime. -- Jack Sargeant, FilmInk Magazine Read the full article HERE
Posted on: Sat, 15 Mar 2014 19:55:04 +0000
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