Jing Li, China, Glass Bamboo Utility Poles, 98 x 4 x 70 inches. - TopicsExpress



          

Jing Li, China, Glass Bamboo Utility Poles, 98 x 4 x 70 inches. Glass and steel. 2011. I see overhead utility wires as working ruins from the late 19th and early 20th centuries, similar to ancient Roman aqueducts that can carry water, but far more ugly. Jing Li (China) plays with the idea of the utility pole, adapting it to another material as opposed to the more common wooden or steel poles. These objects, in my opinion, embrace the spirit of early 21st century glass in the way they blur boundaries between object, function, narrative and architecture, man-made and natural. They want to have it all, perhaps because in this era, there is an obligation to aspire to the all. I am reminded of this in a wry way each time I need to copy something on the web, and am given the option to select all just by pressing a button. Nature, art and the artificial On his web site, Jing Li talks about his Artificial Nature Series, which is related to the Bamboo poles: My work was inspired by the industrial glass and modern architecture materials. I was born and raised in China. Because of the economic development and the urbanization, more and more places have been replaced by curtain wall skyscrapers in the cities. As people miss this disappearing nature architects design plants, water, and rocks as components to fit into the modern architecture. For me, they become the element of man-made environments and not of the real nature. The artificial nature as a component of architectures reminded me another art form, bonsais. A bonsai is an miniature of nature that people can approach, manipulate, and appreciate. I use clear and mirrored glass, stainless steel accessories, and concrete to fabricate Bonsais that have strongly industrial characters. I hope my work represents the conflict between natural and man-made environments. Life in a Bubble of Glass I find especially intriguing his statement about another series (not illustrated here): As an artist, I am concerned with the issues that have direct relevance to the life of humans. According to psychological theories, everyone consciously and unconsciously attempts to protect themselves from anxiety and social restrictions. This is often defined as a Self-defense Mechanism. The act of the Self-defense Mechanism caught my attention in regards to how an individual communicates and engages in social interaction. I feel everyone creates a bubble, which they can live inside. This bubble protects their mind in situations, in which they cannot cope. However, it can also negatively impact a person’s ability to deal with anxiety in reality and causes an isolation of an individual in society. Therefore, an emotionally healthy person has to find a balance between self-protection and self-isolation. In my “Living With Bubbles” series of work, I use glass to create multiple types of bubbles, which can be interpreted as metaphors for different types of Self-defense Mechanisms. Bubbles take on different properties for everyone; bubbles can be cages, which can trap people; bubbles can be cocoons, people are sealed in temporarily; bubbles can be ironclad, with people struggling to break out, and bubbles can also be fragile, which people can break with just a touch. I use glass to make visible the unseen self defense mechanisms of people. My sculptures are made to represent the emotional state of people living with bubbles. The works in “Living With Bubbles” can be a way for people to see a manifestation of bubbles in their own lives. Jing Li web site link: jingliglassart/index.html
Posted on: Fri, 01 Aug 2014 13:07:57 +0000

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