Max Sheas Martian Gardens, ep. 093 Wed. 6:00 p.m. -- 9:00 p.m. EDT & Sat, 3:00 a.m. (All times Eastern & approximate) online playlists: Martian Gardens blog email: maxtshea@gmail SINGLE PLAY Mari Kimura: Subharmonic Partita The World Below G and Beyond Works for Subharmonic Violin and Interactive Computer Mutable Music/2005 violin: Mari Kimura; recorded at Harvestworks and Systems II, composition year: 2005, using melodies from J.S. Bachs Partita Prelude; time: 2:45 SET ONE Harry Partch: A Decent and Honorable Mistake (Samba) Even Wild Horses, Act I, Scene I Plectra and Percussion Dances Bridge Records/2014 PARTCH ensemble (ingredients may include -- diamond marimba, Eroica, cymbal: Erin Barnes; voice: Paul Berkoids; kithara: Alison Bjorkedahl; canon, surrogate kiethara, Eroica: Matt Cook; cloud chamber bowls, chromelodeon: David Johnson; saxophone: Ulrich Krieger; percussion: Yumi Lee; canon: Tom Peters; guitars, canons: John Schneider; adapted viola: Derek Stein; bowls, bass marimba, Eroica, fight bell: Nick Terry; bass marimba, voice: T.J. Roy; guitar, canons: Alex Wand); text: Arthur Rimbaud; recorded at Disney Hall/Redcat Theatre, Los Angeles, June 9, 2013; composition year: 1952; total time: 3:01 Ross Bolleter: Time and Fevers Burn Away Music Works #120 (various artists) MusicWorks Magazine/2014 ruined piano: Ross Bolleter; time: 5:29 Ross Bolleter: Unfinished Business Crow Country Pogus Productions/2000 ruined bar piano exposed to the elements: Ross Bolleter; recorded at Nallan Sheep Station, Western Australia, July 1987; mastered at Goodshit Studios, Perth, Australia, September 1987; time: 11:15 Thomas Newman & Rick Cox: Goldmine Nectarine 35 Whirlpools Below Sound Cold Blue Music/2014 piano, phase metals, sound effects, processing: Thomas Newman, Rick Cox; recorded in Pacific Palisades, California; time: 3:53 SET TWO Amy Denio: Im Glad Today is Monday Prodigal Light Spoot Music/2013 sound mash-up by friends of Amy Denio (story, transcription, narration: David Greenberger; horn, guitar, kick drum, bamboo flute, whistling, door bell: Frank Pahl; telephone messages: Jim McAdams (2 moments in musical museum ), Eli McBett (~ gli Egiziani: Lasciatemi caricare!), Francisco Lopez (~ tomatoes in a tub ); dog bark: Mary Grace Lawrence the Dog; theremin, sound sculpture: Jim McAdams; science set: Nick Ripley; electronic cello: Derek Johnson; tape squish sounds, gajangle: Bob Phillips; mouth sounds: Detonator Beth Lawrence; unspecified: Don Campau, Robin OBrien) composition and mix: Amy Denio; recorded at Spoot Studios and Soli Sound Studios, West Seattle; time: 2:44 Little Bang Theory: Dmitri Rides Again Toy Suites and Themes E.P. Transmogrification/2011 toys, whistling: Frank Pahl; toys, voice: Terri Sarris; toys, drums: Dough Shimmin; time: 2:23 Tone Dogs: Klezzy The Early Middle Years Soleilmoon Records/1991 (traditional Serbian Klezmer, arr. Amy Denio); Tone Dogs (alto saxophone: Amy Denio; bass: Fred Chalenor; drums: Will Dowd); recorded at Dogfish Studio Complex, Newberg, Oregon, 1990; time: 2:42 Philip Perkins: Bartski Mister Anyhow -- Live in the Studio 2011 -- 2014 Fun Music/2014 electronics, samples, processing: Phil Perkins; recorded at the composers studio, San Francisco, time: 3:19 Amy Knoles: Hold It 2x10x10x10+1 Echograph Records/2001 percussion, synthesizers, samples: Amy Knoles; recorded at Echograph Studios, Los Angeles, time: 2:42 R. Weis: This Tape is Trash Excitable Audible R. Weis/2012 sampler, samples (used wad of painters tape hitting an aluminum trashcan, improvised 5 tone vocal phrase I): Robert Weis; recorded at the composers studio, Pittsburgh; time: 4:39 Kwisp: Mesopotamus Teriyaki Vest Odyssey Pinephone Recordings/2003 electric guitar, electronics, processing: Walter Funk; Sousaphone, trumpet, vocalizations: Reid Johnston; processing: Grant Miller; recorded at Pinephone Recordings, San Francisco; time: 4:09 Brian Eno: Energy Fools the Magician Before and After Science EG/1977 (CD issue 1987) modified guitar: Fred Frith; drums: Phil Collins; fretless bass: Percy Jones; keyboards, vibraphone: Brian Eno; recorded in London and Köln, 1977; time: 2:03 SET THREE Christian Wolff: For Morty I Like to Think of Harriet Tubman -- Chamber Works, Volume 2 Mode Records/1998 (for vibraphone, glockenspiel, and piano); The Barton Workshop (percussion: Marcel Andriessen, Wim Konink; piano: Frank Denyer); director: James Fulkerson; recorded at The Hilversum Conservatorium, Hilversum, The Netherlands; c. 1994; composition year: 1987; time: 5:34 Morton Feldman: The Straits of Magellan Intermediate Music -- Feldman Edition, Volume 4 Mode Records/2001 (for ensemble); The Turfan Ensemble (flute: Thaddeus Watson; horn: John Stobart; trumpet: William Forman; amplified guitar: Volker Höh; harp: Maria Strange; piano: Philipp Vandré; contrabass: Johannes Nied); directors: Phillipp Vandré, Thaddeus Watson; recorded at HR-Sendesaal, Frankfurt; 1996, 1997; composition year: 1961; time: 5:11 Jonathan Berger: An Island of Tears Electro Acoustic Music II (various artists) Neuma Records/1991 electroacoustic music on 4-channel tape realized at the CCRMA, Stanford University; composition year: 1991; time: 9:18 SET FOUR Robert Scott Thompson: Repeated by Dreams Repeated by Dreams Aucourant Records/2014 electroacoustic music realized at the composers studio, Roswell, Georgia, composition year: 2014; time: 8:38 Richard Karpen: Mass Miniatures concrètes (various artists) empreintes DIGITALes/1999 (computer music); realized at the Center for Advanced Research Technology in the Arts and Humanities (CARTAH), University of Washington, Seattle; composition year: 1996; time: 3:00 Richard Karpen: Dénouement CDCM Computer Music Series Volume 12 (various artists) Composers in the Computer Age I Centaur Records/1992 (computer music); realized at the School of Music Computer Center (SMCC), University of Washington, Seattle; composition year: 1991; time: 7:00 SET FIVE Maggi Payne: HUM The Extended Flute CRI/1999 (for flute and tape); flute: Maggi Payne; recorded at the Center for Contemporary Music, Mills College, Oakland; composition years: 1972-1973; time: 9:31 Pierre-Yves Artaud: Traits Suspendus (Paul Méfano) Contemporary Flute Music Neuma Records/1992 (for amplified contrabass flute; composer: Paul Méfano); amplified contrabass flute: Pierre-Yves Artaud; composition year: 1980; time: 4:20 Ilia Belorukov: Astir I Did What Was Possible to Quiet Us Spectropol/2014 (electroacoustic music); realized at the composers studio, Saint-Petersburg, Russia; time: 6:35 SET SIX Ingrid Drese: Voix de laurore (Voice of the dawn) Interstices empreintes DIGITALes/2009 (electroacoustic music); realized at Musiques & Recherches’ Métamorphoses d’Orphée studio in Ohain, Belgium, and at the composer’s studio, Brussels, 2006-2007; premiered at the 14th international acousmatic festival L’Espace du son at Théâtre Marni, Brussels, October 17, 2007; time: 14:00 David Tudor: Rainforest IV (Stockholm) [excerpt] The Art of David Tudor 1963 -- 1992 New World Records/2013 (live electronic music); Composers Inside Electronics: John Driscoll, Phil Edelstein, Ralph Jones, Martin Kalve, David Tudor; recorded in Stockholm, Sweden, 1973; total excerpt time: 10:00 (TAINT radio); 7:00 (WMUA) Beatriz Ferreyra: Les chemins du vent des glaces (Path of the icy wind) Les Saisons (GMEB 1972 -- IMEB 2002) [various artists] Mnémosyne Musique Media/2002 electroacoustic music realized at IMEB, Bourges, France, 2002; time: 11:00 John Luther Adams: Thunder* The Mathematics of Resonant Bodies Cantaloupe Music/2006 percussion: Steven Schick; recorded at the University of Alaska, Fairbanks; 2002-2003; composition year: 2002; time:8:41 John Luther Adams: Inuksuit 5 (excerpt)** Inuksuit Cantaloupe Music/2013 (for percussion, air raid sirens, and environmental sounds) percussion ensemble directed by Doug Perkins; recorded in the woods of Guilford, Vermont, 2012; composition year: 2009; time: 3:33 *TAINT Radio version only **WMUA Live version only -- FIN --
Posted on: Thu, 23 Oct 2014 02:28:34 +0000
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