My thoughts about NYC: Of all the cities on this planet, I cant think of one which fascinates me like New York City. Pictured in a thousand movies, New York sparked my imagination ever since I was a kid. Ive been thinking about photographing NYC for as long as I can remember. To finally stand in front of its colossal skyline, with my camera, was such an overwhelming feeling. Ive photographed many wonderful skylines but NYCs is truly special. Effortlessly, its architecture speaks of its glorious past, present and the promise of the future. NYCs skyline is as perfect as it gets. At least to me, New York City was and remains, the promised land. tech: it was a perfect day for cityscape photography. Partially cloudy day presented constantly changing lighting conditions. Clouds helped to keep the sunlight in check. I was able to wait for the sun to hit just the right part of the city at the right time. Shooting this 13-frames wide vertorama however wasnt easy. I was on the boat ride around the lower Manhattan when I snapped this panorama. It was quite windy, boat was moving in a choppy sea and just standing on the boats deck was a challenge, let alone trying to balance the camera to remain as vertical and steady as possible. I set my Canon 5D MK3 to Manual mode and programmed it to snap 3 bracketed shots from -2EV through +2EV in quick succession. It worked well, or so I thought. When I imported the 3 bracketed shots into Oloneo PhotoEngine for HDR processing, I realized that the boat moved a bit too much between the 3 exposures. Oloneos auto-align usually works very well but it cant align photos which have parallax shift between them. It messes up its algorithm which is understandable. I realized that HDR vertorama wasnt going to be possible so I opted for a conventional vertorama, using only the 13x mid (0EV) exposures. I was afraid at that point that Photoshop wont be able to align the 13 photos into a panorama because it took approximately 12 seconds between the first and the last shot. Boat moved quite a lot during this period and parallax shift was noticeable. To my big relief however, Photoshop did a perfect job and no errors were reported during the automated panoramic assembly process. Working on a panorama 21,200 x 5,700 pixels with multiple layers is no easy feat. It takes a lot of resources and my (outdated) computer was begging for mercy. Anyway, after 6 hours of hard work on this panorama, my vision was fulfilled. I finally got the shot of NYC I always dreamed about and Im extremely happy with the result. Hardware: Canon 5D Mk3, Canon 70-300mm f/4-5.6L IS USM Software: Lightroom 4.4, Photoshop 5.1, Silver Efex Pro 2, Nik Output Sharpener
Posted on: Mon, 06 Oct 2014 11:21:45 +0000
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