Parodos – the entrance of an ancient urban chorus on stage. What is so important that the audience have to see, hear and experience it? Creative process and choreography: Goran Bogdanovski Created and performed by: Manca Dorrer, Miha Pribošič, Tea Vidmar, Janes Moličnik, Manca Kaliman, Samo Židan, Jakob Tomše, Tina Koščak, Sašo Rutar, Katja Kordiš, Priya ficobalet.org Premiere: June 2013 Parodos is a performance, more specifically, a series of associative glimpses, a sort of a dancing stream of consciousness. Whatever the creators are experiencing is transformed into movement, glimpses of stories, a series of existence. The glimpses, fragments and thoughts intertwine in a form open enough for us to get involved in it. The threads they weave and move are images of life: work at the studio, protests, loves, trainings, all combinations of relationships, mambo jumbo in all processes, dream sequences, pathology that does not stifle but merely – like a scream from somewhere deep and far – climbs to the top, only to be drowned by the current of life, constantly knitting, combining, composing and decomposing. The springs of multiple thoughts, feelings, instincts and drives burble on the rich surface. The complexity of being and existence is manifested at all its levels. Men fight each other, women cunningly cater to mens hormones, together they chant slogans of our current common delusion, they fall into the work light, making us ask: Is all this real? Is it just a dream, an appearance? It is all real and it is only the beginning. They reach back into a distant past to bring us to the point of here and now, taking us far away again ... which they do incessantly. Continuously. Again and again, always and forever ... turns our parodos. Backstreets into the main song, to the core and back again to the edge. And then again...
Posted on: Mon, 06 Oct 2014 10:33:08 +0000
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