Sri ram kannans post on USV songs for msvians Lilly Malarukku Kondattam https://youtube/watch?v=90bbxCy8WIM Another golden step to the throne of our EMPEROR!!!! MGR fans would never miss atleast a song from this movie when picking up their favourites from their thalaivar. A mystery to every other MD that how He made it possible with the instruments available that time, and the quality of the music still remains a challenge, undoubtedly not conquered yet. The songs cannot be listed like There are other good songs in this movie, Every song is a gem!!! The entire movie is a treasure chest - you can only admire and learn how to create gems from it, but this quality can never be achieved by anyone, except Him. Ironically, our EMPEROR was not the one assigned as the MD for this movie, at first. Though MGR told about his plan of a movie to be shooted in foreign countries and asked EMPEROR to compose music earlier, there was no communication for sometime and our MD later learnt that Kunnakudi was assigned as the MD of the movie, and 2 songs were already recorded. Again, MGR contacted our EMPEROR and asked about the movie, He was confused.He refused at first, but finally accepted to compose for the movie with the condition that the 2 songs of Kunnakudi has to be there in the movie plus the amount to be paid for him to the movie. MGR, in turn, gave his next movie to Kunnakudi itself (which was NavaRatnam - an APN box-office crash!!!). MGR, as a director of the movie, proved again that he knew better about the commercial aspect of TFM, than anyone else. The movie was mainly aimed to shoot in foreign countries, especially the Expo exhibition in Japan that time. So, the major three factors that raised the movie to a block-buster was the music, the cinematography, and the third, obviously the then-three-letter phenomenon, MGR. (But, this phenomenon never worked every time. So, its easy to guess why music has been given the first rank). As it is a complete entertainment movie, each song turned out to be a peppy one, EMPEROR never make the nods and taps stop throughout the songs. TMS and PS sings in this wonderful romantic number, for MGR and Manjula. As usual, our EMPEROR takes us through a wonderful journey, with surprises (Thats obvious!!!) all the way. (Other songs has surprises too... Its an amazing experience to hear the songs from this movie). The ensemble of violins open the song, raising slowly in steps till the maximum, met by the trombone before TMS. TMS opens humming in his enthusiastic voice da dadadada in the raised pitch supported by drums, followed by the sensuous voice of PS joining in the humming. Their humming comes down slowy, followed by the mandolin in the same path. TMS starts lilly malarukku kondaattam, with drums in the background, maintaining the tapping. The pallavi is prolonged by violins everytime, and when TMS repeats the pallavi, flute joins him in the end. The atmosphere suddenly changes to a slow, romantic with PS starting antha nootraandu sirpangalum with a wonderful rhythm of bongos. The mood seems to take over completely with PS prolonging odum vetkathileyyyy.., but with TMS at vantha idam ennavo, the pep picks back with drums, PS joining at sontham ithu allavo, the happiness of the lovers expressed in engeyum eppothum kondattam with flute. The transformation is splendid that no one would be stuck by the abrupt change, the melody still maintained. The violins come back in the first interlude, the stepping sequence maintained together with trombone at intervals. TMS joins with his happy da da da humming, later by PS with her aaaaa.... The violins repeat their humming along with trumpet in the drums background. Then comes the most catchy part, the one I like most, the combination of veena and flute. The veena swinging gradually, followed by the quick tune of the flute, the mix mesmerizing, and ended by veena and violins. TMS begins the first charanam then koodu neeyenraal, with the drums at the back taking him over the track, followed by PS at theeratha pasiyodu. TMS suddenly raises at Naanondru Neeyondru naamondru thaanendru, but coming down gradually at ondrodu ondraana sontham. The raising and lowering happens in the same line itself with the support of the drums, and later when PS joins at indrodu theeradha inbam, the ending is marvellous!!!! The mandolin begins a joyful walk in the second interlude, bongos at the back now, soon joined by violins. But, when the veena and flute bit comes again, drums comes for support. TMS opens the second charanam at naalthorum maarbodu, followed by PS. The raising and lowering repeats again here by TMS at Then konda kannonru paar ennai paar enru - sevvaanam polaadum pothu. PS joins at sinthungal muththangal nooru, soon the atmosphere changing again to the slow bongos antha nootraandu sirpangalum, ended by the peppy TMS vantha idam ennavo with drums. The song ends by the humming of TMS and PS, drums fading slowly along with them. No wonder if we call our EMPEROR as THE PIPER - the tunes still mesmerizing us, and making us follow the footsteps of the person who knows nothing but only Music. _________________
Posted on: Fri, 19 Dec 2014 16:54:01 +0000
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