Thats Haaretz talking about us :) Unlike the tense scenes at the Metropolitan Opera’s opening night of “The Death of Klinghoffer” last month, which drew hundreds of angry protesters, featured passionate speakers and garnered national headlines, the scene outside BAM’s Howard Gilman Opera House was decidedly more civil – and even celebratory. Drummers provided a steady beat inside the protest zone, before the makeshift sound system took over, blasting Arabic music as a line of young men in black and white kaffiyehs performed the dabke.
Posted on: Thu, 20 Nov 2014 08:11:58 +0000
Trending Topics
Recently Viewed Topics
© 2015