There are 9 Polyhedral Structures (part 2/2) The final, in that sense, is really simply what you recognize as a /sphere/ for in that sense it is unidirectional. You have this, in a sense, even in your own reality and it can be said to be the idea of the zero point, even before the tetrahedron in physical terms, for when you step in a sphere it is the same in all directions. This is the same in the higher dimensions as well. Again, however, when you step into the hyper-sphere you now have an infinite array of possible realities that you can experience because each point on the surface of the sphere is really a completely different sphere. So while in the physical reality the sphere being the zero, not the one, will simply be that you step into a ball and it is the same ball. In the higher dimensions the sphere will be an infinite array of realities, an infinite array of spheres contained within the same sphere. So you have the zero and infinity at either end of the spectrum of the interim eight, or an octave of polyhedra. Now, so the progression in terms of the sides, in terms of the faces that is, will be, starting with the physical sphere, zero. And, then you will have the tetrahedron for four. Then you will have the cube for six. Then you will have the equilateral octahedron for eight. Then you have two dodecahedrons, two twelve faced figures. Then you will have the icosahedron for twenty. Then you will have the tetragramaton for twenty, again, forming the bridge connector from physical to non-physical reality with the same number of faces inward as the icosahedron has outward. Then you will have the idea of the tesseract or the hyper-cube for forty-two. And then you will have the hyper-sphere for Infinity. So this is the count then as you have it: zero to the idea then of four and then six, and then eight, and then twelve/twelve and then twenty/twenty and then forty-two and then Infinity. Now the idea herein is to understand that these forms are some of the most basic structures in what you call nature, physical reality. They are some of the underlying templates, or if you wish, building blocks for how things arrange themselves in physical reality. And what this means is, they arrange themselves not only atomically, even sub-atomically, but also on a larger scale, a macrocosmic scale, even relationships of energy follow these patterns in general. This is not to say that there are not other patterns but when you are talking about the regular ones, i.e., ones that have faces that are equal to every other face. These form the basic skeleton of the underlying template of how things are arranged or the relationship that exists throughout many different dimensions that are all connected to your particular universal reality, physical and etheric. And, in that sense, the hyper-dimensional connections as well, but we will concentrate and focus on what will be most applicable to your reality, since, of course, that happens to be where youre focused at the moment. So let us begin by understanding that one of the ways, and it is only one, one of the ways to use these forms is, whether you do this in your imagination, in your minds, in your minds eye, so to speak, or whether you create some kind of media format in which to view this occurring, will not really matter as long as, simultaneously to any assistive tool you may be using /outside/, you also will allow this to be going on in your imagination at the same time. When you can begin to imagine or visualize these forms inside your mind, inside your imagination, when you can see them in your minds eye, dimensionally, and you can begin to move them, to turn them, to spin them, to /rotate/ them in your mind, you will find that they actually have the capability of making changes within you. First of all they will make energetic changes. Secondly, they will actually instill neurological changes. Thirdly, they can even instill physiological changes within you. They are like skeleton keys and when you can hold the form in energy, strongly, and begin to associate with it strongly, and begin to move it in space and time, then it will move *you* in space and time, you will go along with it, it will carry you, in a sense, into different orientations, different perspectives, allow you to perceive and access different dimensional perspectives of informational reality. So these are the keys turning in the locks; and as you become more proficient at turning them, then you will find you will be able to open more locks, open more doors and begin to /perceive/ through inspirational methods, through meditational methods, through artistic expressional methods, through many different creative methods, you will be able to perceive INSTANT insights and perceptions of things you here to for had not imaged. And you will find that you can also use these to take these new perspectives of information and figure out ways to apply this information, to adapt this information to your physical reality to create new things, to have new ideas, to apply new methodologies, to create new results, new effects in your reality. This is the primary utilization that we will be discussing, there will be other utilizations that we can also, perhaps, touch on in this first preliminary discussion about the use of these regular polyhedra.
Posted on: Sat, 29 Nov 2014 08:27:07 +0000
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