This fall we’re getting deep into Creole music, so let’s ease into things with the Duke’s tribute to that beautiful culture. From Wikipedia: Ellington first recorded it in 1927 and was issued a copyright for it as composer the following year. However the main melody appears earlier in the Joe “King” Olivercomposition “Camp Meeting Blues” which Oliver recorded with his Creole Jazz Band in 1923. Apparently Ellington reedman Rudy Jackson had presented the melody to Ellington claiming it was his own composition. After Ellington’s recording came out, Joe Oliver attempted to sue for payment of royalties and composer credit. The lawsuit failed due to problems with Oliver’s original paperwork resulting in Oliver not holding a valid copyright. Ellington fired Jackson over the incident, bringing in Barney Bigard as his replacement.” It also must be noted that Adelaide Hall delivers a stunning vocal performance that is all the more remarkable for the fact that you don’t notice there is a human voice here, so seamlessly does she blend with Ellington’s orchestra.
Posted on: Wed, 17 Sep 2014 01:52:41 +0000
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