To what extent could a certain situation which I observe or which I find in real life and which I pick as a source for my work… how could this, if slightly modified or shifted to become something else, coexist in the context of exhibitions? Reenacted as a performance, how much can this still be an artwork? Is it a situation of life or an artwork. That doubt, that question, is also at the core of my interests. - Roman Ondák talking about his work at Art Basel in an interview with VernissageTV.
Posted on: Sun, 07 Sep 2014 16:30:07 +0000
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