True intonation in double strings requires an exquisite sense of harmony. In order to acquire this precious quality, the pupil must become familiar with those thirds and sixths which are consonant with the open strings G and D. These lower strings are only set in motion when the higher stopping is played with the most perfect accuracy; then a third sound is produced, which serves as a regulator to the ear and to the position of the fingers. This true intonation of double strings once acquired will extend to all parts of the violin.” De Beriot thestrad/latest/editorschoice/8-views-on-intonation
Posted on: Sun, 16 Mar 2014 16:09:34 +0000