VORTEX: A MUSICAL PHENOMENON To construct the diatonic scale of classical music requires rotational division into and subdivision of the octave. Say we start with C. We can reach the C higher up and C below. If we generate G a fifth above, we may rotate it a fourth below. Likewise, F a fifth below can be rotated to a fourth above. Likewise with E and Eb a third above/sixth below, A and Ab a third below and sixth above. Now heres the marvel: to generate D and B a second and a seventh above in the scale, we actually need to shift to G as tonal center to generate them as fifth and third of G. Thus, the D and B dissonant tones in C are consonant tones of G. Likewise, we can build up a comprehensive compact lattice work of interconnected 24 major and minor keys. Every seemingly rotational cut in fact generates a spiraling motion. Unlocked, the system exhibits multiple living spiraling motion. Harnessed and acted upon with sound exploration, insight and artistry, the audial world becomes transformed into a mirror-encounter of ones mind arising from the depths of the universe.
Posted on: Mon, 20 Oct 2014 15:53:24 +0000