আলাউদ্দিন খাঁ উইকিপিডিয়া, মুক্ত বিশ্বকোষ থেকে (আলাউদ্দীন খান থেকে ঘুরে এসেছে) আলাউদ্দিন খাঁ Allauddin Khan প্রাথমিক তথ্যাদি জন্ম ১৮৬২ ব্রাহ্মণবাড়ীয়া জেলা, বেঙ্গল প্রেসিডেন্সি (বর্তমানে বাংলাদেশ) উদ্ভব বাংলাদেশ/ব্রিটিশ ভারত মৃত্যু ৬ সেপ্টেম্বর, ১৯৭২ ধরন হিন্দুস্তানি শাস্ত্রীয় সংগীত পেশা সুরকার, সরোদই বাদ্যযন্ত্র সানাই, সরোদ উস্তাদ আলাউদ্দিন খাঁ (১৮৮১ - ১৯৭২) [১]একজন বাঙালি সঙ্গীতজ্ঞ। বাবা আলাউদ্দিন খান নামেও তিনি পরাচিত ছিলেন। সেতার ও সানাই এবং রাগ সঙ্গীতে বিখ্যাত ঘরানার গুরু হিসাবে সারা বিশ্বে তিনি প্রখ্যাত। মূলত সরোদই [২][৩][৪] তাঁর শাস্ত্রীয় সঙ্গীতের বাহন হলেও সাক্সোফোন, বেহালা, ট্রাম্পেট সহ আরো অনেক বাদ্যযন্ত্রে তাঁর যোগ্যতা ছিল অপরিসীম। আলাউদ্দিন খাঁর জন্ম বাংলা প্রদেশের ব্রাহ্মণবাড়িয়া জেলার শিবপুর গ্রামে (বর্তমানে যা বাংলাদেশের অংশ)। তাঁর সন্তান ওস্তাদ আলী আকবর খান ওঅন্নপূর্ণা দেবী নিজস্ব ক্ষেত্রে উজ্জ্বল নক্ষত্র হিসেবে প্রতিষ্ঠিত। আচার্যের বিখ্যাত শিষ্যরা হলেন পন্ডিত রবি শংকর, পন্ডিত নিখিল ব্যানার্জী, বসন্ত রায়, পান্নালাল ঘোষ সহ আরো অনেকে। আচার্য আলাউদ্দিন খান সাহেব নিজেও অনেক বিখ্যাত গুরু হতে দীক্ষা নিয়েছেন। এঁদের মধ্যে উল্লেখযোগ্য হচ্ছেন কিংবদন্তীতুল্য ওস্তাদ ওয়াজির খান। ১৯৩৫ সালে বিশ্বখ্যাত নৃত্যশিল্পী উদয়শঙ্করের সঙ্গে বিশ্ব ভ্রমণে বের হন তিনি। এ সময় তিনি ইংল্যান্ডের রানী কর্তৃক সুরসম্র্রাট খেতাবপ্রাপ্ত হন। ভারতের সর্বোচ্চ রাষ্ট্রীয় খেতাব পদ্মভূষণ ছাড়াও পদ্মবিভূষণ, বিশ্ব ভারতীয় দেশীকোত্তমসহ দিলি্ল ও ঢাকা বিশ্ববিদ্যালয় থেকে লাভ করেন সম্মানসূচক ডক্টরেট ডিগ্রি। কয়েকজন বিখ্যাত শিষ্য[সম্পাদনা] • রবি শংকর • নিখিল ব্যানার্জী • পান্নালাল ঘোষ তথ্যসূত্র[সম্পাদনা] 1. Jump up↑ Clayton, Martin (2001)। Khan, Allauddin। in Sadie, Stanley। The New Grove dictionary of music and musicians 13 (2nd সংস্করণ)। London: Macmillan Publishers। পৃ: 563। আইএসবিএন 0-333-60800-3। He is believed by some to have lived to the age of 110, although the conjectural birth date of 1881 is more likely 2. Jump up↑ Ustad Allauddin Khan The dawn of Indian music in the West: Bhairavi, by Peter Lavezzoli. Published by Continuum International Publishing Group, 2006. ISBN 0-8264-1815-5. Page 67- 70. 3. Jump up↑ Ustad Ali Akbar Khan The Garland Encyclopedia of World Music, by Alison Arnold. Published by Taylor & Francis, 2000. ISBN 0-8240-4946-2. Page 203-204. 4. Jump up↑ Allauddin Khan World Music: The Rough Guide, by Frederick Dorian, Simon Broughton, Mark Ellingham, James McConnachie, Richard Trillo, Orla Duane. Published by Rough Guides, 2000. ISBN 1-85828-636-0.Page 77. এই নিবন্ধটি অসম্পূর্ণ। আপনি চাইলে এটিকে সম্প্রসারিত করে উইকিপিডিয়াকে সাহায্য করতে পারেন। বিষয়শ্রেণীসমূহ: • অসম্পূর্ণ • ১৮৬২-এ জন্ম • ১৯৭২-এ মৃত্যু • বাঙালি সঙ্গীতজ্ঞ • ভারতীয় শাস্ত্রীয় সঙ্গীত • যন্ত্র সঙ্গীত শিল্পী • বাঙালি সঙ্গীত শিল্পী • সরোদ বাদক Allauddin Khan From Wikipedia, the free encyclopedia (Redirected from Alauddin Khan) Allauddin Khan Background information Born ca. 1862 Brahmanbaria District, Bengal Presidency (currentBangladesh) Origin Bangladesh/British Raj Died 6 September 1972 Genres Hindustani classical music Occupation(s) composer, Sarodiya Instruments Shehnai, Sarod Allauddin Khan (Urdu: علا الدین خان Bengali: ওস্তাদ আলাউদ্দীন খ়ান, also known as Baba Allauddin Khan) (ca. 1862 – 6 September 1972)[1] was a Bengali shorodi and multi-instrumentalist, composer and one of the most renowned music teachers of the 20th century in Indian classical music.[2][3][4] In 1935, he toured Europe, along with Uday Shankars ballet troupe, and later also worked at his institute, Uday Shankar India Culture Centre at Almora for a while.[5] During his lifetime, he composed several ragasand laid the foundation of a modern Maihar gharana. Amongst his recordings which are rare, the most important ones are those he recorded with the All India Radio in 1959–60.[5] He was the father of sarod maestro Ali Akbar Khan and Annapurna Devi, and the uncle of Raja Hossain Khan, as well as the guru of Ravi Shankar, Nikhil Banerjee, Vasant Rai, Pannalal Ghosh, Bahadur Khan,Sharan Rani, Jyotin Bhattacharya and other influential musicians. He himself was a disciple of many great musicians, including Gopal Chandra Banerjee, Lobo, Munne Khan, and most importantly after a lot of struggle managed to become a shagird of the legendary Veena player, Wazir Khan of Rampur.[5] He was awarded the Padma Vibhushan, Indias second highest civilian honour in 1971, and prior to that in 1954, the Sangeet Natak Akademi awarded him with its highest honour, the Sangeet Natak Akademi Fellowship for lifetime contribution to Indian music.[6] Contents [hide] • 1 Early life and background • 2 Sarod career o 2.1 Maihar gharana • 3 Personal life • 4 Ragas created by Allauddin Khan • 5 Films • 6 Further reading • 7 References • 8 External links Early life and background[edit] Allauddin Khan was born in Shibpur village in Brahmanbaria District (now in Bangladesh), the son of Sabdar Hossain Khan, also known as Sadhu Khan. Allauddins elder brother, Fakir Aftabuddin, first taught him the basics of music at home. At the age of ten, Allauddin ran away from home to join a jatra band, a traditional Bengali form of theatre. This experience exposed him to the rich folk tradition of Bengal. After some time, he went to Kolkata, and was accepted as a student by singer Gopal Krishna Bhattacharya, alias Nulo Gopal. Allauddin committed to a 12-year practice program; However, Nulo Gopal died of plague after the seventh year. Khan then became a disciple of Amritalal Dutt, a close relative of Swami Vivekananda and music director at Kolkatas Star Theatre, with the goal of becoming an instrumentalist. At this time, he also took lessons in European classical violin from Lobo, a bandmaster fromGoa. Sarod career[edit] Khan became interested in the sarod after a concert at Jagat Kishore Acharyas, zamindar of Muktagachha, where he listened to Ahmed Ali Khan, a student of Asghar Ali Khan (Amjad Ali Khans granduncle). Alauddin became his student, and studied the sarod under him for five years. His next step was to go to Rampur for lessons from Wazir Khan Beenkar, court musician of the Nawab there, and one of the last direct descendants of the legendaryTansen. Through him, Alauddin was given access to the Senia gharana (Tansen school of music). He later became the court musician of Brijnath SinghMaharaja of Maihar Estate in Central Province. Maihar gharana[edit] Main article: Maihar gharana During his time as a court musician, Khan completely reshaped the Maihar gharana of Indian classical music. The Maihar gharana was established in the 19th Century, but Khans contribution was so fundamental that he is often thought to be its creator. This was a period of rapid change for Hindustani instrumental music, thanks not least to Khan, who infused the beenbaj and dhrupad ang, previously known from the been, surbahar (bass sitar) and sur-sringar (bass sarod), into the playing of many classical instruments. For though he gave concerts on the sarod, Allauddin played many instruments, something that shaped his pedagogy. He put together an orchestra with Indian instruments, the String Band now known as Maihar Band, and while his son, Ali Akbar Khan, was taught the sarod, his daughter Annapurna Devi(Roshanara Khan) learned the surbahar, students such as Ravi Shankar and Nikhil Banerjee played the Sitar, Jyotin Bhattacharya played the sarod,Rabin Ghosh played on violin and Baijnath Singh and Pannalal Ghosh the bansuri bamboo flute. Baijnath Singh was first and Vasant Rai was Allauddin Khans last student. Of course Ravi and Ali Akbar Khan were to be very famous and spread this gharana over the world – something that Allauddin himself had started when, in 1935–1936, he went on an international tour with Uday Shankars dance troupe. Allauddin stayed at Maihar from 1918 to his death. In 1955, he established a Maihar College of Music. He was given the Sangeet Natak Academy Award in 1952, and the Padma Bhushan and Padma Vibhushan – Indias third and second highest civilian decorations – in 1958 and 1971, respectively. Personal life[edit] Anecdotes about Khan range from throwing a Tabla tuning hammer at the Maharaja himself to taking care of disabled beggars. (Nikhil Banerjee said that the tough image was deliberately projected in order not to allow any liberty to the disciple. He always had the tension that soft treatment on his part would only spoil them.[7]) A few years before the turn of the century, he married Madanmanjari Devi (1888–?). He had one son and sarod heir, Ali Akbar Khan, and three daughters, Sharija, Jehanara and Annapurna who grew up as Roshanara Khan. Sharija died an early death suffering from diseases in her childhood and when Jahanara got married and a jealous mother-in-law burnt her Tanpura, a shocked Alauddin Khan decided not to train his only remaining daughter. One day, however, he came home to discover Annapurna teaching her brother Ali Akbar Khan, and her talent made the emotional father change his mind. Annapurna learned classical vocal music, Sitar, and Surbahar from her father. She later married and divorced Ravi Shankar. Ragas created by Allauddin Khan[edit] Khan was fond of sankeerna (complex) ragas, and created many ragas of his own, including Arjun, Bhagabati, Bhim, Bhuvaneshvari, Chandika, Dhabalashri, Dhankosh, Dipika, Durgeshvari, Gandhi, Gandhi Bilawal, Haimanti, Hem-Behag, Hemant, Hemant Bhairav, Imni Manjh, Jaunpuri Todi, Kedar Manjh, Komal Bhimpalasi, Komal Marwa, Madanmanjari, Madhabsri, Madhavgiri, Malaya, Manjh Khamaj, Meghbahar, Muhammed, Nat-Khamaj, Prabhakali, Raj Bijoy, Rajeshri, Shobhavati, Subhabati, Sugandha and Surasati. Many of these have not become common Maihar repertoire; Manjh Khamaj is perhaps the best known. Some of Allauddins recordings have been released on CD, on the Great Garanas: Maihar compilation in RPG/EMIsChairmans Choice series. Films[edit] • Ustad Alauddin Khan (1963), a documentary directed by Ritwik Ghatak. • Raga (1971), directed by Howard Worth. • Maihar Raag (1993), directed by Sunil Shanbag. A look at Allauddin Khans crumbling heritage in Maihar, which won the National Film Award for Best Non-Feature Film in 1994.[8] Further reading[edit] • Ustad Allauddin Khan and his music, by Jotin Bhattacharya. Published by B. S. Shah Prakashan, 1979. • Ustad Allauddin Khan: the legend of music, by Anuradha Ghosh. Published by Publications Division, Ministry of Information and Broadcasting, Govt. of India, 1990. • Baba Allauddin Khan, by Ashish Khokar. Published by Roli Books, 1996. ISBN 81-7436-021-2. • Ustad Allauddin Khan, by Rajendra Shankar. Published by Kinnara School of Music (in Association with Bharat Sangeet Sabha). • The Great Master of Hindustani Classical Music: Dr (Baba) Allauddin Khan (1881–1972), by Dr Sarita McKenzie-McHarg (Sitarist, Vocalist and Academic) – available at pothi/pothi/book/dr-sarita-mckenzie-mcharg-dr-baba-allauddin-khan-1881%E2%80%931972 References
Posted on: Fri, 07 Nov 2014 16:54:11 +0000
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