Ein Kunsthistoriker über mich: Without the need to refer to - TopicsExpress



          

Ein Kunsthistoriker über mich: Without the need to refer to the artistic practices of the twentieth century, Nesha Nikolic starts shaping his work with a strong assertion of his I. Inscriptions on the canvas are always guided by the current internal state, a kind of momentum author chooses himself, and in his research he meets with psychoactive substances, isolation in Montenegro and the creative impulse arising from performance trance. Through his performances, Nesha Nikolic allows his audience to approach his personality in the most direct way. Without any mystery and superfluous words what Art and the creativity of that domain means; in which way he releases his I, and at the same time hes protecting it from its collectivization and transformation into WE. The sincerity of that I, belonging to Nesha Nikolic, is reflected in his open approach to art and also in his wish for that openness to became and maintain its position as a major driver of further evolution of art. Dušan Savić Bez potrebe da referiše na umetničke prakse XX veka, Neša Nikolić, u obličavanje svog rada, polazi sa čvrstim JA. Zapisi na platnu su uvek vođeni trenutnim unutrašnjim stanjem, a vrstu impulsa autor sam bira, te se u svom istraživanju susreće sa psihoaktivnim supstancama, izolacijom u Crnoj Gori i stvaralačkim impulsom proisteklim iz transa performansa. Kroz svoje performanse, Neša Nikolić dozvoljava svojoj publici da se približi njegovoj ličnosti na najneposredniji način. On nam otkriva bez mnogo misterije i bez suvišnih reči šta njemu znači umetnost i stvaralaštvo tog domena; na koji način on oslobađa svoje JA, a u isto vreme ga štiti od njegove kolektivizacije i prelaska u MI. Iskrenost tog JA, Neše Nikolića, se ogleda u njegovom slobodnom pristupu umetnosti i njegovoj velikoj želji da ta sloboda postane i ostane glavna vodilja dalje evolucije umetnosti. Dušan Savić
Posted on: Wed, 23 Oct 2013 21:27:24 +0000

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