INTERVIEWER: A few of the sequences I found myself almost having a panic attack. And the music is a big part of that. Can you talk about those? ZIMMER: Its quite simple because I dont move harmonically. Going chord to chord, you sort of know where its going to go. And by staying monochromatically, you dont know whats around the corner. Rather than doing a lot… Im hypnotizing you. Thats what Im doing. One of the things thats really important is that the music gets to occupy its own space and time, its not tied to the mechanics of the cut. We work slightly differently. The music is written on the story, not so much on the cut. And theres a juxtaposition that creates a certain unease. I work really hard at keeping the emotional signals [of where the music is going to go] hidden.
Posted on: Sun, 16 Nov 2014 15:45:52 +0000
Trending Topics
Recently Viewed Topics
© 2015