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Lalo Schifrin’s score for William Friedkin’s The Exorcist film
Lalo Schifrin’s score for William Friedkin’s The Exorcist film was rejected by the director, who ended up using existing contemporary pieces by An...
The subject matter of the record is by far the most personal of my
The subject matter of the record is by far the most personal of my musical career. I think now, looking back, that this was the reason for my reluctan...
Im really excited to announce a new column Ill be rolling out on
Im really excited to announce a new column Ill be rolling out on Headphone Commute! This is for all of you, gear heads, DSP junkies and sonic geeks! T...
"Our music style is very different, but we have lots of things in
"Our music style is very different, but we have lots of things in common, like we both love nature, enjoy simple life and appreciate small things in e...
"The piano sounds natural, detailed, and real to the touch, while
"The piano sounds natural, detailed, and real to the touch, while all of a sudden I pick up on a distant breathing of a performer. I close my eyes, an...

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eft:0px; min-height:30px;"> Freedom of speach Anjem Choudary can preach hate and fear... Abu
Eu Sou o ProblemaProjota Salve o povo pai, meu povo chora e eu
I read with great distain that the American Film Institute is
Poštovanje, ispričavam se na smetnji svima onima koje ovo neće

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